1 00:00:08,390 --> 00:00:06,309 with the launch of the fourth orbital 2 00:00:10,310 --> 00:00:08,400 atk resupply mission to the 3 00:00:11,910 --> 00:00:10,320 international space station nasa 4 00:00:13,910 --> 00:00:11,920 delivered a brand new video camera 5 00:00:16,790 --> 00:00:13,920 capable of recording and revealing 6 00:00:18,630 --> 00:00:16,800 images so with six times the detail of 7 00:00:21,109 --> 00:00:18,640 your average high definition television 8 00:00:22,950 --> 00:00:21,119 set and nasa wants to bring this dynamic 9 00:00:24,790 --> 00:00:22,960 and captivating video into your living 10 00:00:26,710 --> 00:00:24,800 room so with that in mind we sat down 11 00:00:28,550 --> 00:00:26,720 with nasa's imagery experts program 12 00:00:30,230 --> 00:00:28,560 manager rodney grubbs here at marshall 13 00:00:34,150 --> 00:00:30,240 to talk about the future of video 14 00:00:35,510 --> 00:00:34,160 imagery and nasa tv in uhd 15 00:00:37,030 --> 00:00:35,520 so a lot of people will be familiar with 16 00:00:38,869 --> 00:00:37,040 their high definition televisions that 17 00:00:40,470 --> 00:00:38,879 they may have in their living room but 18 00:00:42,549 --> 00:00:40,480 there's been a big push lately to go to 19 00:00:43,910 --> 00:00:42,559 something called 4k or ultra high 20 00:00:45,029 --> 00:00:43,920 definition can you explain the 21 00:00:47,670 --> 00:00:45,039 difference for us 22 00:00:51,510 --> 00:00:47,680 so ultra high definition or 4k the four 23 00:00:54,310 --> 00:00:51,520 is four times 1080p so if you're looking 24 00:00:57,430 --> 00:00:54,320 at a television set that says full hd 25 00:00:59,990 --> 00:00:57,440 then it is 1080p resolution this is four 26 00:01:01,670 --> 00:01:00,000 times that in the same space 27 00:01:03,750 --> 00:01:01,680 is it a much sharper and cleaner image 28 00:01:04,630 --> 00:01:03,760 much much sharper and cleaner uh the 29 00:01:06,469 --> 00:01:04,640 there's 30 00:01:07,510 --> 00:01:06,479 many many more pixels and the pixels are 31 00:01:09,750 --> 00:01:07,520 smaller 32 00:01:11,670 --> 00:01:09,760 why is nasa studying this technology so 33 00:01:13,510 --> 00:01:11,680 there's two reasons why 34 00:01:15,990 --> 00:01:13,520 nasa would be interested in shooting in 35 00:01:17,670 --> 00:01:16,000 this format one is 36 00:01:19,429 --> 00:01:17,680 for the science and applica the science 37 00:01:21,830 --> 00:01:19,439 and engineering applications so if we 38 00:01:24,310 --> 00:01:21,840 have more pixels higher dynamic range 39 00:01:26,870 --> 00:01:24,320 higher frame rate then that's more data 40 00:01:27,670 --> 00:01:26,880 for analysis and engineering purposes 41 00:01:30,310 --> 00:01:27,680 right 42 00:01:32,390 --> 00:01:30,320 the other is because a lot of what nasa 43 00:01:35,109 --> 00:01:32,400 does has a shelf life we're still 44 00:01:37,910 --> 00:01:35,119 looking at apollo films 45 00:01:40,630 --> 00:01:37,920 even today all these many years later 46 00:01:42,550 --> 00:01:40,640 well 20 to 40 years from now somebody is 47 00:01:45,429 --> 00:01:42,560 going to be very appreciative that we 48 00:01:47,990 --> 00:01:45,439 shot in video formats that have a shelf 49 00:01:50,950 --> 00:01:48,000 life that actually hold up to whatever 50 00:01:53,270 --> 00:01:50,960 may come in the future 6k 8k 51 00:01:55,350 --> 00:01:53,280 who knows what 40 years from now people 52 00:01:59,190 --> 00:01:55,360 will be able to 53 00:02:01,030 --> 00:01:59,200 watch on large screens and so forth so 54 00:02:03,830 --> 00:02:01,040 having something in a higher resolution 55 00:02:05,350 --> 00:02:03,840 today is going to be useful for many 56 00:02:07,030 --> 00:02:05,360 decades to come so you think it's 57 00:02:09,910 --> 00:02:07,040 helpful for historical documentation as 58 00:02:12,070 --> 00:02:09,920 well yes right so 59 00:02:14,150 --> 00:02:12,080 you know a lot of what we do 60 00:02:16,710 --> 00:02:14,160 may not seem to be 61 00:02:19,190 --> 00:02:16,720 that terribly important today but 62 00:02:21,830 --> 00:02:19,200 there may be some science or application 63 00:02:23,430 --> 00:02:21,840 10 20 30 years from now where somebody's 64 00:02:25,350 --> 00:02:23,440 going to come back and do a search and 65 00:02:28,470 --> 00:02:25,360 find that footage whether it's a solid 66 00:02:30,150 --> 00:02:28,480 rocket booster test in utah or an orion 67 00:02:31,750 --> 00:02:30,160 splashdown 68 00:02:34,630 --> 00:02:31,760 you know the folks working on orion have 69 00:02:37,830 --> 00:02:34,640 been looking at apollo era film to 70 00:02:40,710 --> 00:02:37,840 understand how the capsule behaved 71 00:02:42,630 --> 00:02:40,720 you know at splashdown for example so 72 00:02:44,949 --> 00:02:42,640 you just never know how what we shoot 73 00:02:47,270 --> 00:02:44,959 today is going to be used in the future 74 00:02:49,190 --> 00:02:47,280 if we're shooting an event a one-time 75 00:02:50,710 --> 00:02:49,200 shot you don't get a do-over there may 76 00:02:52,949 --> 00:02:50,720 be something that happened that we 77 00:02:54,550 --> 00:02:52,959 didn't see at first so the analysis 78 00:02:56,869 --> 00:02:54,560 community looks at that footage and they 79 00:02:58,710 --> 00:02:56,879 pour over it frame by frame well if they 80 00:03:00,869 --> 00:02:58,720 can see in the shadows and they can see 81 00:03:03,589 --> 00:03:00,879 in the bright areas or they have more 82 00:03:04,550 --> 00:03:03,599 frames to a higher frame rate to capture 83 00:03:06,229 --> 00:03:04,560 something 84 00:03:08,309 --> 00:03:06,239 the higher resolution the more frames 85 00:03:10,229 --> 00:03:08,319 the better because there may have been 86 00:03:12,229 --> 00:03:10,239 one little instance for a fraction of a 87 00:03:14,070 --> 00:03:12,239 second of something that occurred that 88 00:03:15,589 --> 00:03:14,080 everybody missed in real time and 89 00:03:18,229 --> 00:03:15,599 they've saw it in the review of the 90 00:03:21,030 --> 00:03:18,239 footage well if you think back to uh the 91 00:03:23,030 --> 00:03:21,040 early space flight days we we flew film 92 00:03:24,789 --> 00:03:23,040 cameras and we flew film cameras for 93 00:03:26,070 --> 00:03:24,799 practical reasons and because it had a 94 00:03:29,350 --> 00:03:26,080 shelf life 95 00:03:32,470 --> 00:03:29,360 the same thing uh goes on today so if if 96 00:03:34,470 --> 00:03:32,480 we can have a 4k or 6k camera on board 97 00:03:36,789 --> 00:03:34,480 the space station documenting life and 98 00:03:39,270 --> 00:03:36,799 documenting the science that they do 99 00:03:41,350 --> 00:03:39,280 first off it allows us all the rest of 100 00:03:43,750 --> 00:03:41,360 us to paid for it to go along for the 101 00:03:46,229 --> 00:03:43,760 ride with them and really appreciate 102 00:03:48,309 --> 00:03:46,239 what life is like up there every time we 103 00:03:50,949 --> 00:03:48,319 get a higher resolution 104 00:03:52,789 --> 00:03:50,959 imaging system and we look at it here it 105 00:03:54,630 --> 00:03:52,799 makes you feel like okay i really 106 00:03:56,869 --> 00:03:54,640 actually kind of understand what life is 107 00:03:57,830 --> 00:03:56,879 like up there and then as we mentioned 108 00:03:59,589 --> 00:03:57,840 earlier 109 00:04:01,750 --> 00:03:59,599 the science and engineering applications 110 00:04:04,630 --> 00:04:01,760 of the higher resolution helps too plus 111 00:04:07,990 --> 00:04:04,640 that's a very high dynamic range 112 00:04:10,149 --> 00:04:08,000 place to shoot you have a very stark 113 00:04:11,750 --> 00:04:10,159 contrast so the better the imagery and 114 00:04:13,110 --> 00:04:11,760 the higher the dynamic range of the 115 00:04:15,910 --> 00:04:13,120 imaging system 116 00:04:18,310 --> 00:04:15,920 the more natural it will appear to us 117 00:04:20,310 --> 00:04:18,320 when it's replicated on a screen so it's 118 00:04:22,069 --> 00:04:20,320 again allowing all of us to go for a 119 00:04:24,710 --> 00:04:22,079 ride with them so tell us about the 120 00:04:25,830 --> 00:04:24,720 development of the of the new nasa uhd 121 00:04:26,629 --> 00:04:25,840 channel 122 00:04:29,189 --> 00:04:26,639 so 123 00:04:31,990 --> 00:04:29,199 an encoder manufacturer called harmonic 124 00:04:34,070 --> 00:04:32,000 approached us at a technical expo 125 00:04:36,710 --> 00:04:34,080 and said we would like to talk to nasa 126 00:04:39,430 --> 00:04:36,720 about creating a full-time ultra-high 127 00:04:41,749 --> 00:04:39,440 definition satellite channel 128 00:04:45,350 --> 00:04:41,759 so we went through a negotiation process 129 00:04:48,150 --> 00:04:45,360 uh they provided nasa new encoders so 130 00:04:51,350 --> 00:04:48,160 that we could make room on this 131 00:04:53,350 --> 00:04:51,360 satellite transponder for a new channel 132 00:04:55,110 --> 00:04:53,360 which basically meant we are further 133 00:04:57,430 --> 00:04:55,120 compressing the existing channels that 134 00:04:59,030 --> 00:04:57,440 we had to make room for this ultra high 135 00:05:01,590 --> 00:04:59,040 definition channel 136 00:05:03,990 --> 00:05:01,600 and it gives us an opportunity to 137 00:05:07,350 --> 00:05:04,000 experience have experience with a new 138 00:05:10,230 --> 00:05:07,360 encoding algorithm with new equipment 139 00:05:11,189 --> 00:05:10,240 it also gives nasa an outlet for a lot 140 00:05:13,670 --> 00:05:11,199 of this 141 00:05:15,430 --> 00:05:13,680 4k and ultra high definition content 142 00:05:17,510 --> 00:05:15,440 that we've been accumulating over the 143 00:05:19,749 --> 00:05:17,520 years but really haven't had a practical 144 00:05:21,749 --> 00:05:19,759 way to release to the public 145 00:05:24,230 --> 00:05:21,759 being first being 146 00:05:26,629 --> 00:05:24,240 the first ones to have a full-time 147 00:05:28,710 --> 00:05:26,639 channel in this format is 148 00:05:31,350 --> 00:05:28,720 really exciting for us and i know my 149 00:05:33,830 --> 00:05:31,360 colleagues enjoyed the challenge and it 150 00:05:37,430 --> 00:05:33,840 was a challenge because we're so 151 00:05:38,870 --> 00:05:37,440 out in front of the rest of the industry 152 00:05:40,870 --> 00:05:38,880 that a lot of this equipment that has 153 00:05:43,670 --> 00:05:40,880 come in to this lab 154 00:05:45,830 --> 00:05:43,680 to be worked with by our colleagues was 155 00:05:48,230 --> 00:05:45,840 serial number one or still in 156 00:05:49,749 --> 00:05:48,240 development hardware and software 157 00:05:51,350 --> 00:05:49,759 and so there's some frustration that 158 00:05:52,870 --> 00:05:51,360 goes along with that but it's also kind 159 00:05:56,150 --> 00:05:52,880 of exciting to be 160 00:05:59,350 --> 00:05:56,160 on the very very bleeding edge 161 00:06:03,029 --> 00:05:59,360 at the beginning of what may be a new 162 00:06:04,309 --> 00:06:03,039 revolution in television 163 00:06:06,070 --> 00:06:04,319 i can tell you based on firsthand 164 00:06:07,430 --> 00:06:06,080 experience the clarity and detail of 165 00:06:08,710 --> 00:06:07,440 this video is really impressive and 166 00:06:10,950 --> 00:06:08,720 we're looking forward to sharing it with 167 00:06:12,629 --> 00:06:10,960 you but harmonica nasa are currently in 168 00:06:15,590 --> 00:06:12,639 talks with cable and satellite providers 169 00:06:17,510 --> 00:06:15,600 to deliver nasa tv uhd but right now the 170 00:06:20,390 --> 00:06:17,520 only way to see this new channel is a 171 00:06:22,309 --> 00:06:20,400 with a uhd tv set and b by pulling it 172 00:06:24,469 --> 00:06:22,319 directly off of the satellite and you 173 00:06:26,710 --> 00:06:24,479 can learn more about how to try to do 174 00:06:29,510 --> 00:06:26,720 that by visiting the nasa tv website at